They were not her children. But she would protect them with her life…
Corfu 1944. Though they don’t know it, five-year-old Matilde and three-year-old Anna have kissed their mother for the last time. The Nazis have reached their sun-scorched home, and they are being taken to a place of safety, on the north-eastern tip of the rocky island, to be hidden at great risk by kindly Agata and her husband until the terrible war is over.
Matilde and Anna’s tears are soothed by Agata’s bedtime stories, but she is always alert. So far no soldiers have ventured down the steep rocky hillside to their secret haven, but Agata knows they are constantly scouring the island for missing Jews. And then, on a day when Agata’s husband is away, a German soldier appears…
2006. Under a baking June sun, Amber and her husband arrive in Corfu from England, hoping for a fresh start. But not everyone is pleased by their arrival, and with the pressures of pregnancy, the couple grow further apart. Desperate to find a sense of belonging for herself and her unborn child, Amber finds herself drawn to the local story of two little girls, left by their parents and hidden for their own protection.
But there are some who would rather Amber left Corfu’s terrible history well in the past. Can Amber uncover the heart-breaking truth about the two little girls, and what happened after a German soldier took a swim in the bay by their house? If she does, can the secrets of the past help her find happiness, or send her running from the island, alone?
Following an eventful career as a public relations consultant, specialising in business and travel, Suzanne Goldring turned to writing the kind of novels she likes to read, about the extraordinary lives of ordinary people. Two of her novels have been placed in the Winchester Writers’ Conference First Three Pages of a Novel competition. Her novel The Way We Lied, can be read as a serial on her blog site, suzannegoldring.wordpress.com. She is currently working on a novel about delusion,deception and death, set in Corfu.
Suzanne drew on her experiences of living in a timbered 14th century house, where she raised two daughters and a variety of livestock, to write Powerless. All her other novels are pure fiction and any resemblance to any persons living or dead is purely coincidental
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