A young queen.
Consecrated at birth as a royal goddess, Cleopatra learns early on from her father's experience that to rule means to fight. Politically astute, her deep love for Egypt means she'll do everything in her power to retain its autonomy from the all-devouring Romans.
A great emperor.
Julius Caesar is a legendary warrior whose might helped secure the Egyptian throne for Cleopatra's father. Years later, when he encounters the now Queen of Egypt, it is more than a meeting of rulers - it is a meeting of souls.
Together they could have ruled the world.
In Julius, Cleopatra finds the first person who challenges and respects her fiercely brilliant mind, who understands her duty and shares her passionate nature. Their union, forged in conflict, seems unbreakable, but are the bonds binding them to their countries even stronger?
Yet in a choice between love and duty, only one can win.
A lush, unputdownable novel about the legendary Cleopatra. Discover the woman behind the myth, in this epic and opulent novel, perfect for fans of Jennifer Saint, Madeline Miller, Philippa Gregory and Alison Weir.
My first literary accolade was a creative writing prize at primary school and from that point on I wanted to be a novelist. I was always reading as a child and often made up stories for my brother and sister on long car journeys. I was also a huge Enid Blyton fan and by ten I was writing my own (doubtless terrible) boarding school novels. Perhaps inevitably, I took my degree in English literature and it was at Cambridge, specialising in medieval literature, that I first discovered what has become a true passion for ancient history.
I took a sidestep after university to work in a wonderful textiles factory in Lancashire - a move that led me to my lovely husband, but didn't satisfy my yearning to write. Married and living in Derbyshire, however, I took up my pen again in the sparse hours available between raising my two stepchildren and two more of my own. At that hectic time, I primarily wrote shorter fiction and I've had well over 200 stories and serials published in women's magazines. Now though, with the older two leaving home and the younger two at secondary school, my time has opened up and it's been a joy to fill it with writing.
I'm fascinated by our ancestors in the pre-1066 period. The more I research their world, the more I realise how cruel the term 'dark ages' is, as these people had hugely sophisticated clothing, jewellery, art, poetry, economics and judicial systems. They were also just people, as we are people and I firmly believe that they must have largely felt much the same as we do. Amusement, embarrassment, grief, hatred and - perhaps above all - love are not modern inventions and I have loved creating a cast of, hopefully, believable characters to help readers experience this fantastic era for themselves.
My first series, The Queens of the Conquest, is about the amazing stories of the three women vying to be Queen of England in 1066 - Edyth of Mercia, wife of King Harold; Elizaveta of Kiev; wife of Harald Hardrada; and Matilda of Flanders, wife of William the Conqueror. We know so little about these amazing women and I hope that readers enjoy finding out about them.
My second series, Shakespeare's Queens, looks at the real historical figures who were the inspiration for Lady Macbeth (Macbeth), Ophelia (Hamlet) and Cordelia (King Lear). All three women led lives that were very different to the female tropes that they are presented as in the otherwise wonderful plays of the great bard and I hope readers can see another side of them from my novels.
These days I also write contemporary fiction as Anna Stuart.
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A huge achievement worth shouting about, the winning story recieves the following:
A great achievement, notable mentions receive the following: